Artem Belogurov

Artem Belogurov is equally at home on the modern piano, harpsichord, clavichord, and the many varieties of historical pianos. He is deeply interested in research, and enjoys reviving forgotten expressive devices through experimentation. 

Artem studied music at the Stolyarsky School of Music in Odessa, obtained a bachelor's degree in piano from the New England Conservatory in Boston, and in 2016 he completed a master's degree in Early Keyboards with honors at the Conservatorium van Amsterdam. His professional activities include performance, artistic research, ensemble leadership, teaching, and curatorial work. As a soloist, chamber musician, and founding member of the ensemble Postscript, he has performed at leading international festivals and has an extensive discography. His repertoire spans four centuries, encompassing solo, concerto, and chamber music. One of his upcoming projects is recording the complete keyboard sonatas of Mozart, as well as his Trios, with violinist Rachael Beesley and cellist Octavie Dostaler-Lalonde. Alongside performing, Artem is deeply involved in artistic research, particularly relating to Romantic and Classical performance practice, and the study of historical recordings. He is also experienced in concert programming and artistic leadership, and regularly collaborates with recording labels, presenters, and research networks. Through these activities, his students gain insight into professional performance life, artistic research, ensemble work, recording projects, and the broader international early music and classical music scene. 

“As a performer and pedagogue”, he explains, “I draw inspiration from a wide range of sources, from historical treatises to close collaboration with contemporary composers. I am particularly fascinated by the history of instruments and by how music was played, heard, and experienced in the past. In my teaching, I aim to give students concrete tools for self-development and to help them shape their artistic personalities, so that they can touch the hearts and minds of today’s audiences, even when working with music and instruments from the past.”